My YouTube series Lighting I Like is back for a second season of six episodes. It’s a very short and simple show, aimed at raising awareness of the art of lighting amongst non-cinematographers, or those at the very start of their cinematography career. Each week I look at the lighting choices made in one or two scenes of a TV/VOD show and how those choices help tell the story.
First up is Breaking Bad, the critically acclaimed series about a high-school chemistry teacher who, after being diagnosed with leukaemia, resorts to manufacturing drugs to ensure his family’s financial future. All five seasons of the show are available on Netflix in the UK.
Breaking Bad is dark and gritty, shot on 35mm film, and features some beautiful cinematography, one example of which I recently covered in my post on modifying window light. You can read an interesting analysis of the show’s photography on Cinevenger.
In the final episode of Lighting I Like, I discuss perhaps one of the most beautiful pieces of cinematography I’ve ever seen in television: the “Dance of the Druids” from the premiere episode of Outlander. A Starz series available on Amazon Prime in the UK, Outlander tells the story of a nurse from 1945 who accidentally travels back in time to 1743 when she visits some standing stones in the Scottish Highlands.
Since making this episode, I’ve read The Making of Outlander by Tara Bennett, so I now know that this scene was in fact shot on location. The book quotes director John Dahl as follows:
For the scene where Frank and Claire go out there first thing in the morning, we filmed all the stuff at dark. We actually had a gigantic light on a crane, and that’s how we made our sunrise come up. I feel like that one scene really helped us make it look more like rugged Scotland. I think it’s one of the most beautiful sequences that I’ve gotten to film in the last few years.
This week’s edition of Lighting I Like focuses on a scene from Life on Mars, my all-time favourite TV show. Broadcast on the BBC in 2006 and 2007, this was a police procedural with a twist: John Simm’s protagonist D.I. Sam Tyler had somehow travelled back in time to the 1970s… or was he just in a coma imagining it all? Each week his politically correct noughties policing style would clash with the seventies “bang ’em up first, ask questions later” approach of Philip Glenister’s iconic Gene Hunt.
I must get around to doing a proper post on colour theory one of these days, but in the meantime, there’s a bit about colour contrast in this post. And you can read more about using practicals in this post.
I hope you enjoyed the show. The sixth and final episode goes out at the same time next week: 8pm GMT on Wednesday, and will feature perhaps the most stunning scene yet, from the Starz series Outlander.Subscribe to my YouTube channel to make sure you never miss an episode of Lighting I Like.
I hope you enjoyed the show. Episode five goes out at the same time next week: 8pm GMT on Wednesday, and will cover a scene from my all-time favourite TV series, Life on Mars.Subscribe to my YouTube channel to make sure you never miss an episode of Lighting I Like.
The third episode of my YouTube cinematography series Lighting I Like is out now. This time I discuss a scene from the first instalment in the Harry Potter franchise, directed by Chris Columbus and photographed by John Seale, ACS, ASC.
I hope you enjoyed the show. Episode four goes out at the same time next week: 8pm GMT on Wednesday, and will cover a scene from episode two of the lavish Netflix series The Crown. Subscribe to my YouTube channel to make sure you never miss an episode.
The second episode of Lighting I Like looks at a scene from the season four premiere of Victorian crime drama Ripper Street, available on Amazon Prime in the UK.
On closer inspection, the “tungsten fill” I mention in the video is more of a soft tungsten toplight – perhaps a Chimera Pancake – rigged to the ceiling in the centre of the room. When Jackson exits at 2:00 you can see him walk under it.
Here’s some further reading if you want to know more about using practicals, and candlelight in particular:
Candlelight – how I tackled multiple candlelight scenes in my first period production, The First Musketeer, including a video blog from the set.
I hope you enjoyed the show. Episode three goes out at the same time next week: 8pm GMT on Wednesday, and will cover a scene from the 2001 movie Harry Potter and the Philosopher’s Stone. Subscribe to my YouTube channel to make sure you never miss an episode.
The first episode of my new YouTube series is out. Lighting I Like discusses some of the best and most interesting illumination I’ve seen in film and TV, including how and why I think it’s been done. The first show is about a scene from season two episode four of Daredevil – and beware there is a spoiler.
After recording these shows, and while editing them, I spotted more things about the lighting in the clips. For example, in this Daredevil scene I noticed that there is a backlight tucked just behind the building on the right of frame. This backlight isn’t hitting the actors because a fire escape is shadowing them, but it’s giving that golden glow to the rain and street in the background. It must be gelled with something like Mustard Yellow to match the existing street lamps.
I hope you enjoyed the show. Episode two goes out at the same time next week: 8pm GMT on Wednesday, and will cover a scene from the season four premiere of Ripper Street.