More umbilical cord effects arrived today from David. As before they’re all very impressive. The bulk of that work is now complete, with just some of the more difficult shots and a few revisions left. David’s now been working on the film since September, so I’m sure he’ll be glad to see the back of it.

This weekend is the event I’ve been waiting for for a long time: the recording of the score with the Worcestershire Symphony Orchestra and Colla Voce. If you could summarize Soul Searcher‘s greatest production challenges into a list of, perhaps, 30 Difficult Things, number 30 would be this. The last one.