The film noir shot. A dedo just to the left of the visible practical provides the hot backlight, while Mari’s key is a second dedo also off left, but in front of her. A miniscule amount of fill is provided by another practical behind the camera.
The film noir shot. A dedo just to the left of the visible practical provides the hot backlight, while Mari’s key is a second dedo also off left, but in front of her. A miniscule amount of fill is provided by another practical behind the camera.