Yesterday was a big day for Dark Side: the day the pilot got screened to potential producing partners. With such things there is always the foolish hope that the screening will end with one attendee leaping from his chair and demanding to know immediately who he should make the multi-million pound cheque out to. This did not happen. Shocking, I know.
But it went well. Most of the people who said they would turn up did indeed turn up (which doesn’t always happen with these things), and they all seemed to enjoy it. We ended up running the lovely 35mm print four times, spilling out of our allotted timeslot at both ends. (Incidentally, the first run was at 24 frames per second, and the others were 25fps. As many times as I’ve seen it, I can’t tell the bloody difference. Carl detected some slight flickering in the highlights on the 24fps run, but honestly, listen to the advice of the Guerilla Filmmakers’ Handbook and always shoot at 25pfs. 24fps just isn’t worth the hassle.) Big thanks are due to the staff of Soho Screening Rooms for accommodating those extra runs for us.
Before the screening we met with a producer who gave us some daunting information about film marketing. To reach the sort of audience Dark Side aspires to would cost around UKP5 million in UK advertising, he reckoned, and over UKP20 million in the US. Ouch.
Afterwards we met Quay and discussed the last few niggling niggles in the script. I really can’t describe how nice it is to be left with such trivial changes to make after all that brain-mangling plot fiddling. It’s best summed up in the words of a character from Tamara Drewe who’s just finished a productive day of writing: “I feel like a man who’s just passed a gargantuan stool.”
Stop press! This morning a few emails have flitted back and forth in response to yesterday’s screening containing some very good news. I’d better say no more at this point, except that I feel we’ve taken a great step forward.