With the last FX tweak successfully, er, tweaked, we’re now looking for a place to grade. The Dolby documents have been signed and counter-signed, so all that remains for the audio is to transfer it onto MO disc, from whence it can be transferred to the film print – when we get to that stage with the picture, which is still a little way off.
The new deadline that we’re working to is October, when the Production Finance Market is held. Carl has applied to this sort of Cannes-on-acid, speed-pitching event, which may help us secure producing partners.