Compositing supervisor John Galloway (from top VFX house Double Negative) and compositing/rotoscoping artist Joseph Brett explain how the puppeteers operating the Wooden Swordsman were painstakingly erased from the footage using Shake.
Compositing supervisor John Galloway (from top VFX house Double Negative) and compositing/rotoscoping artist Joseph Brett explain how the puppeteers operating the Wooden Swordsman were painstakingly erased from the footage using Shake.