The sun is an awesome light source, but you’re not alone as a DP if you sometimes feel it’s the enemy. Shooting Ben Bloore’s Crossing Paths at the weekend, I was very
There’s nothing like a good shaft of light to add production value to your cinematography. But you can’t just shine a lamp through a window and expect to get Hollywood shafts. Here
Recently I’ve been involved in pick-ups shoots for a couple of projects I lensed last year: action-comedy feature The Gong Fu Connection and fantasy series Ren. Both pick-up shoots were strange experiences,
Great Scott! My time travel short Stop/Eject (watch the trailer here) is set to share a cinema screen with the movie that made me want to make movies, Back to the Future.
We’ve all seen old movies in which the ladies’ close-ups are shot through a soft focus filter. What may surprise you is that many DPs still do this, only the filters are